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The history of Scriabin's piano music is like a condensed history of piano music, for his style changed perhaps more than any other composer during his life. It has been said that young Scriabin kept Chopin's music under his pillow, and the early Preludes and Mazurkas certainly breathe the same heightened air of ardour and yearning. His journey from the traditional tonal harmony of these Chopinesque beginnings to his atonal 'Mystic chord' (based on fourths) is, however, a masterfully smooth one, best appreciated when taking the sum of his work into account. Born in 1947, long resident in London as a professor at the Royal College of Music, Dmitri Alexeev entered the Moscow Conservatory at six years of age. A string of EMI recordings in the 80s established his reputation worldwide, but they included scant representation of one of his most ardent passions, the music of Scriabin, beyond the concertante Prometheus conducted by Riccardo Muti. Alexeev's touch emulates the contemporary accounts of Scriabin's own playing, which did not rely on power because of his slight build. Rather, he 'captivated the listener through his ability to enhance his sound with an extraordinary range and gradation of color... his fingers seemingly plucked the sound from the piano keys... as if his hands flew over the keyboard barely touching it.' Made between 2008 and 2019 in London and in the purpose-built Music Room at Champs Hill, home to many superlative modern chamber-music albums, these recordings won broad critical acclaim on their original publication. Their reissue at super-budget price makes an obvious first port of call for any listener looking to immerse themselves in the rich, heady world of Scriabin's piano writing.
The history of Scriabin's piano music is like a condensed history of piano music, for his style changed perhaps more than any other composer during his life. It has been said that young Scriabin kept Chopin's music under his pillow, and the early Preludes and Mazurkas certainly breathe the same heightened air of ardour and yearning. His journey from the traditional tonal harmony of these Chopinesque beginnings to his atonal 'Mystic chord' (based on fourths) is, however, a masterfully smooth one, best appreciated when taking the sum of his work into account. Born in 1947, long resident in London as a professor at the Royal College of Music, Dmitri Alexeev entered the Moscow Conservatory at six years of age. A string of EMI recordings in the 80s established his reputation worldwide, but they included scant representation of one of his most ardent passions, the music of Scriabin, beyond the concertante Prometheus conducted by Riccardo Muti. Alexeev's touch emulates the contemporary accounts of Scriabin's own playing, which did not rely on power because of his slight build. Rather, he 'captivated the listener through his ability to enhance his sound with an extraordinary range and gradation of color... his fingers seemingly plucked the sound from the piano keys... as if his hands flew over the keyboard barely touching it.' Made between 2008 and 2019 in London and in the purpose-built Music Room at Champs Hill, home to many superlative modern chamber-music albums, these recordings won broad critical acclaim on their original publication. Their reissue at super-budget price makes an obvious first port of call for any listener looking to immerse themselves in the rich, heady world of Scriabin's piano writing.
5028421959139
Complete Piano Music (Box)
Artist: Dmitri Alexeev
Format: CD
New: Not in stock
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1. Valse, Op. 1
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2. 3 Pièces, Op. 2: I. Étude In C-Sharp Minor. Andante
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3. 3 Pièces, Op. 2: II. Prelude In B Major
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4. 3 Pièces, Op. 2: III. Impromptu À La Mazur In C Major
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5. 10 Mazurkas, Op. 3: I. Tempo Giusto In B Minor
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6. 10 Mazurkas, Op. 3: II. Allegretto Non Tanto In F-Sharp Minor
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7. 10 Mazurkas, Op. 3: III. Allegretto In G Minor
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8. 10 Mazurkas, Op. 3: IV. Moderato In E Major
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9. 10 Mazurkas, Op. 3: V. Doloroso In D-Sharp Minor
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10. 10 Mazurkas, Op. 3: VI. Scherzando In C-Sharp Minor
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11. 10 Mazurkas, Op. 3: VII. Con Passione In E Minor
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12. 10 Mazurkas, Op. 3: VIII. Con Moto In B-Flat Minor
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13. 10 Mazurkas, Op. 3: IX. Mazurka In G-Sharp Minor
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14. 10 Mazurkas, Op. 3: X. Mazurka In E-Flat Minor
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15. Allegro Appassionato, Op. 4
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16. Nocturne No. 1 In F-Sharp Minor, Op. 5
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17. Nocturne No. 2 In A Major, Op. 5
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18. Sonata No. 1 In F Minor, Op. 6: I. Allegro Con Fuoco
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19. Sonata No. 1 In F Minor, Op. 6: II. Crotchet = 40
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20. Sonata No. 1 In F Minor, Op. 6: III. Presto - Funèbre
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21. Impromptus No. 1 À La Mazur In G-Sharp Minor, Op. 7
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22. Impromptus No. 2 À La Mazur In F-Sharp Major
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23. Ètude No. 1 In C-Sharp Major, Op. 8. Allegro
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24. Ètude No. 2 In F-Sharp Minor, Op. 8. A Capriccio, Con Forza
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25. Ètude No. 3 In B Minor, Op. 8. Tempestoso
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26. Ètude No. 4 In B Major, Op. 8. Piacevole
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27. Ètude No. 5 In E Major, Op. 8. Brioso
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28. Ètude No. 6 In A Major, Op. 8. Con Grazia
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29. Ètude No. 7 In B-Flat Minor, Op. 8. Presto Tenebroso, Agitato
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30. Ètude No. 8 In A-Flat Major, Op. 8. Lento, Tempo Rubato
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31. Ètude No. 9 In G-Sharp Minor, Op. 8. Alla Ballata
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32. Ètude No. 10 In D-Flat Major. Allegro
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33. Ètude No. 11 In B-Flat Minor, Op. 8. Andante Cantabile
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34. Ètude No. 12 In D-Sharp Minor, Op. 8. Patetico
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35. Prelude And Nocturne For The Left Hand, Op. 9: I. Prelude In C-Sharp Minor
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36. Prelude And Nocturne For The Left Hand, Op. 9: II. Nocturne
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37. Impromptus In F-Sharp Minor, Op. 10
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38. Impromptus In A Major, Op. 10
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39. Prelude No. 1 In C Major, Op. 11
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40. Prelude No. 2 In A Minor, Op. 11
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41. Prelude No. 3 In G Major, Op. 11
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42. Prelude No. 4 In E Minor, Op. 11
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43. Prelude No. 5 In D Major, Op. 11
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44. Prelude No. 6 In B Minor, Op. 11
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45. Prelude No. 7 In A Major, Op. 11
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46. Prelude No. 8 In F-Sharp Minor, Op. 11
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47. Prelude No. 9 In E Major, Op. 11
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48. Prelude No. 10 In C-Sharp Minor, Op. 11
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49. Prelude No. 11 In B Major, Op. 11
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50. Prelude No. 12 In G-Sharp Minor, Op. 11
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51. Prelude No. 13 In G-Flat Major, Op. 11
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52. Prelude No. 14 In E-Flat Minor, Op. 11
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53. Prelude No. 15 In D-Flat Major, Op. 11
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54. Prelude No. 16 In B-Flat Minor, Op. 11
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55. Prelude No. 17 In A-Flat Major, Op. 11
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56. Prelude No. 18 In F Minor, Op. 11
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57. Prelude No. 19 In E-Flat Major, Op. 11
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58. Prelude No. 20 In C Minor, Op. 11
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59. Prelude No. 21 In B-Flat Major, Op. 11
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60. Prelude No. 22 In G Minor, Op. 11
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61. Prelude No. 23 In F Major, Op. 11
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62. Prelude No. 24 In D Minor, Op. 11
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63. Impromptus No. 1 In F-Sharp Major, Op. 12
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64. Impromptus No. 2 In B-Flat Minor, Op. 12
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65. Prelude No. 1 In C Major, Op. 13
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66. Prelude No. 2 In A Minor, Op. 13
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67. Prelude No. 3 In G Major, Op. 13
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68. Prelude No. 4 In E Minor, Op. 13
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69. Prelude No. 5 In D Major, Op. 13
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70. Prelude No. 6 In B Minor, Op. 13
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71. Impromptus No. 1 In B Major, Op. 14
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72. Impromptus No. 2 In F-Sharp Minor, Op. 14
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73. Prelude No. 1 In A Major, Op. 15
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74. Prelude No. 2 In F-Sharp Minor, Op. 15
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75. Prelude No. 3 In E Major, Op. 15
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76. Prelude No. 4 In E Major, Op. 15
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77. Prelude No. 5 In C-Sharp Minor
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78. Prelude No. 1 In B Major, Op. 16
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79. Prelude No. 2 In G-Sharp Minor, Op. 16
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80. Prelude No. 3 In G-Flat Major, Op. 16
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81. Prelude No. 4 In E-Flat Minor, Op. 16
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82. Prelude No. 5 In F-Sharp Major, Op. 16
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83. Prelude No. 1 In D Minor, Op. 17
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84. Prelude No. 2 In E-Flat Major, Op. 17
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85. Prelude No. 3 In D-Flat Major, Op. 17
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86. Prelude No. 4 In B-Flat Minor, Op. 17
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87. Prelude No. 5 In F Minor, Op. 17
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88. Prelude No. 6 In B-Flat Major, Op. 17
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89. Prelude No. 7 In G Minor, Op. 17
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90. Allegro De Concert, Op. 18
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91. Sonata No. 2 In G-Sharp Minor, Op. 19: I. Andante
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92. Sonata No. 2 In G-Sharp Minor, Op. 19: II. Presto
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93. Polonaise, Op. 21
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94. Prelude No. 1 In G-Sharp Minor, Op. 22. Andante
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95. Prelude No. 2 In C-Sharp Minor, Op. 22. Andante
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96. Prelude No. 3 In B Major, Op. 22. Allegretto
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97. Prelude No. 4 In B Minor. Andantino
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98. Sonata No. 3 In F-Sharp Minor, Op. 23: I. Drammatico
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99. Sonata No. 3 In F-Sharp Minor, Op. 23: II. Allegretto
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100. Sonata No. 3 In F-Sharp Minor, Op. 23: III. Andante
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101. Sonata No. 3 In F-Sharp Minor, Op. 23: IV. Presto Con Fuoco
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102. Mazurka No. 1 In F Minor, Op. 25
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103. Mazurka No. 2 In C Major, Op. 25
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104. Mazurka No. 3 In E Minor, Op. 25
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105. Mazurka No. 4 In E Major, Op. 25
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106. Mazurka No. 5 In C-Sharp Minor, Op. 25
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107. Mazurka No. 6 In F-Sharp Major, Op. 25
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108. Mazurka No. 7 In F-Sharp Minor, Op. 25
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109. Mazurka No. 8 In B Major, Op. 25
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110. Mazurka No. 9 In E-Flat Minor, Op. 25
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111. Prelude No. 1 In G Minor, Op. 27
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112. Prelude No. 2 In B Major, Op. 27
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113. Fantaisie, Op. 28
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114. Sonata No. 4 In F-Sharp Major, Op. 30: I. Andante
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115. Sonata No. 4 In F-Sharp Major, Op. 30: II. Prestissimo Volando
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116. Prelude No. 1 In D-Flat/C Major, Op. 31
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117. Prelude No. 2 In F-Sharp Minor, Op. 31
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118. Prelude No. 3 In E-Flat Minor, Op. 31
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119. Prelude No. 4 In C Major, Op. 31
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120. Poème No. 1 In F-Sharp Major, Op. 32
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121. Poème No. 2 In D Major, Op. 32
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122. Prelude No. 1 In E Major, Op. 33
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123. Prelude No. 2 In F-Sharp Major, Op. 33
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124. Prelude No. 3 In C Major, Op. 33
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125. Prelude No. 4 In A-Flat Major, Op. 33
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126. Poème Tragique, Op. 34
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127. Prelude No. 1 In D-Flat Major, Op. 35
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128. Prelude No. 2 In B-Flat Major, Op. 35
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129. Prelude No. 3 In C Major, Op. 35
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130. Poème Satanique, Op. 36
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131. Prelude No. 1 In B-Flat Minor, Op. 37
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132. Prelude No. 2 In F-Sharp Major, Op. 37
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133. Prelude No. 3 In B Major, Op. 37
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134. Prelude No. 4 In G Minor, Op. 37
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135. Valse, Op. 38
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136. Prelude No. 1 In F-Sharp Major, Op. 39
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137. Prelude No. 2 In D Major, Op. 39
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138. Prelude No. 3 In G Major, Op. 39
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139. Prelude No. 4 In A-Flat Major, Op. 39
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140. Mazurka No. 1 In D-Flat Major, Op. 40
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141. Mazurka No. 2 In F-Sharp Major, Op. 40
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142. Poème, Op. 41
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143. Étude No. 1 In D-Flat Major, Op. 42. Presto
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144. Étude No. 2 In F-Sharp Minor, Op. 42
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145. Étude No. 3 In F-Sharp Major, Op. 42. Prestissimo
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146. Étude No. 4 In F-Sharp Major, Op. 42. Andante
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147. Étude No. 5 In C-Sharp Minor, Op. 42. Affannato
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148. Étude No. 6 In D-Flat Major, Op. 42. Esaltato
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149. Étude No. 7 In F Minor, Op. 42. Agitato
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150. Étude No. 8 In E-Flat Major, Op. 42. Allegro
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151. Feuillet D'album In F-Sharp Major
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152. Poème No. 1 In C Major, Op. 44. Lento
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153. Poème No. 2 In C Major, Op. 44. Moderato
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154. 3 Morceaux, Op. 45: I. Feuillet D'album
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155. 3 Morceaux, Op. 45: II. Poème Fantasque
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156. 3 Morceaux, Op. 45: III. Prelude In E-Flat Major
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157. Scherzo, Op. 46
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158. Quasi-Valse In F Major, Op. 47
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159. Prelude No. 1 In F-Sharp Major, Op. 48
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160. Prelude No. 2 In C Major, Op. 48
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161. Prelude No. 3 In D-Flat Major, Op. 48
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162. Prelude No. 4 In C Major, Op. 48
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163. 3 Morceaux, Op. 49: I. Étude In E-Flat Major
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164. 3 Morceaux, Op. 49: II. Prelude In F Major
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165. 3 Morceaux, Op. 49: III. Rêverie
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166. Morceaux, Op. 51: I. Fragilité
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167. Morceaux, Op. 51: II. Prelude In A Minor
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168. Morceaux, Op. 51: III. Poème Ailé
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169. Morceaux, Op. 51: IV. Danse Languide
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170. 3 Morceaux, Op. 52: I. Poème
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171. 3 Morceaux, Op. 52: II. Énigme
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172. 3 Morceaux, Op. 52: III. Poème Languide
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173. Sonata No. 5, Op. 53
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174. 4 Pièces, Op. 56: I. Prelude In E-Flat Major
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175. 4 Pièces, Op. 56: II. Ironies
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176. 4 Pièces, Op. 56: III. Nuances
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177. 4 Pièces, Op. 56: IV. Étude
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178. 2 Morceaux, Op. 57: I. Désir
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179. 2 Morceaux, Op. 57: II. Caresse Dansée
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180. Feuillet D'album, Op. 58
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181. 2 Morceaux, Op. 59: I. Poème
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182. 2 Morceaux, Op. 59: II. Prelude
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183. Poème-Nocturne, Op. 61
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184. Sonata No. 6, Op. 62
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185. 2 Poèmes, Op. 63: I. Masque
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186. 2 Poèmes, Op. 63: II. Étrangeté
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187. Sonata No. 7, Op. 64
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188. 3 Études, Op. 65: I. Allegro Fantastic
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189. 3 Études, Op. 65: II. Allegretto
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190. 3 Études, Op. 65: III. Molto Vivace
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191. Sonata No. 8, Op. 66
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192. Prelude No. 1, Op. 67
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193. Prelude No. 2, Op. 67
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194. Sonata No. 9, Op. 68
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195. 2 Poèmes, Op. 69: I. Allegretto
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196. 2 Poèmes, Op. 69: II. Allegretto
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197. Sonata No. 10, Op. 70
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198. 2 Poèmes, Op. 71: I. Fantastique
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199. 2 Poèmes, Op. 71: II. En Rêvant, Avec Une Grande Douceur
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200. Vers La Flame, Op. 72
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201. 2 Danses, Op. 73: I. Guirlandes
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202. 2 Danses, Op. 73: II. Flammes Sombres
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203. 5 Preludes, Op. 74: I. Douloureux, Déchirant
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204. 5 Preludes, Op. 74: II. Très Lent, Contemplative
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205. 5 Preludes, Op. 74: III. Allegro Drammatico
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206. 5 Preludes, Op. 74: IV. Lent, Vague, Indécis
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207. 5 Preludes, Op. 74: V. Fier, Belliqueux
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The history of Scriabin's piano music is like a condensed history of piano music, for his style changed perhaps more than any other composer during his life. It has been said that young Scriabin kept Chopin's music under his pillow, and the early Preludes and Mazurkas certainly breathe the same heightened air of ardour and yearning. His journey from the traditional tonal harmony of these Chopinesque beginnings to his atonal 'Mystic chord' (based on fourths) is, however, a masterfully smooth one, best appreciated when taking the sum of his work into account. Born in 1947, long resident in London as a professor at the Royal College of Music, Dmitri Alexeev entered the Moscow Conservatory at six years of age. A string of EMI recordings in the 80s established his reputation worldwide, but they included scant representation of one of his most ardent passions, the music of Scriabin, beyond the concertante Prometheus conducted by Riccardo Muti. Alexeev's touch emulates the contemporary accounts of Scriabin's own playing, which did not rely on power because of his slight build. Rather, he 'captivated the listener through his ability to enhance his sound with an extraordinary range and gradation of color... his fingers seemingly plucked the sound from the piano keys... as if his hands flew over the keyboard barely touching it.' Made between 2008 and 2019 in London and in the purpose-built Music Room at Champs Hill, home to many superlative modern chamber-music albums, these recordings won broad critical acclaim on their original publication. Their reissue at super-budget price makes an obvious first port of call for any listener looking to immerse themselves in the rich, heady world of Scriabin's piano writing.
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